Raising a rebel

De Correspondent launched in 2013, setting a crowdfunding world record. The ad-free site shifts the news focus from the sensational to the foundational by equipping its correspondents to do in-depth research and giving them access to the expertise of its 70,000 paying members. For us, co-founding this journalistic revolution meant designing De Correspondent’s brand identity from scratch.

The notion of authorship

We deliberately gave the site a handcrafted feel to emphasise the notion of authorship, facilitate the sense of a personal relationship between readers and writers, and provide an intriguing contrast with the smoothness of the digital platform.

The style is hard to copy and works as an extension of the branding: wherever a correspondent’s characteristic hand-drawn portrait pops up, viewers will immediately think of De Correspondent. There’s no need for our logo or name.

Setting ourselves apart

To distinguish itself in a crowded field, our unique journalistic venture needed a name that would clearly convey its personal, subjective approach. Opposing the tendency of media organisations to define themselves geographically (The New York Times, The Washington Post), we chose to define ourselves with reference to the conversation leaders who make up the essence of what De Correspondent is – whether they report on the economy, forgotten wars, the climate, or love.

A personal touch

Our design reflects our focus on the person behind the professional. Our logo was handwritten by our co-founder Harald Dunnink, while the “C” emblem references a single quotation mark – the opening of a personal statement. Just as our correspondents are visible on the site as experts who bring stories to life, we wanted to let the designer’s personality show in the site’s visual identity.

Human connection

Cléa Dieudonné’s unique avatar illustrations unite our correspondents in a visually identifiable group. Her pen-and-ink portraits are more than snapshots. By downplaying clothing and amplifying the artist’s interpretation, they represent each person in a more essential way. A core element of the branding, these human illustrations link each individual correspondent with the greater whole of De Correspondent in a deliberate departure from picture-perfect media representations.

Shaping the system

Taking people and organisations’ measure on a daily basis, a start-up in journalism needs to exude professionalism instantly. Since design plays a crucial role in building trust, we took a holistic approach to designing De Correspondent’s brand from day one. From the characterful logo to the urgent red, the identity stood and still stands, tall.

Inspiring further thought

Designing De Correspondent’s identity and platform from the ground up led us to examine our longstanding design principles. As a result, the brand and platform probably constitute the ultimate example of our design philosophy, which we set down on paper in 2016.

De Correspondent: co-founded by Momkai



  • Identity design
  • Illustration
  • Art direction
  • Strategy
  • Motion design

De Correspondent was co-founded by Momkai’s founder, Harald Dunnink, and its CTO, Sebastian Kersten, along with editor-in-chief Rob Wijnberg and publisher Ernst-Jan Pfauth.

Since its successful launch, which set a world record for journalism crowdfunding, the online platform has acquired over 60,000 members, who happily pay for quality investigative journalism.

For more information contact growth director Alex van Straaten via +31 6 29532859 or alex@momkai.com.

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